Film restoration SD, HD, 2K

Full Frame is based on powerful algorithms that are constantly updated thanks to the research and development team and supported by the constant evolution of technology and hardware in the PC market.

After programming them, these algorithms can rapidly take care of various defects of films and videos that are known so far :

  Blotches and dusts,
  Video noise,
  Flicker effects,
  transcoding problems,
  Deformations,
  Line scraches, etc...

Full Frame’s other advantage is its capacity to work on color-levels at the same time, which are often faulty on old pictures.

« Prestige Level of Restoration » to Quantity Restoration

Algorithms are used by way of the “friendly user” interface, which enables fine adjustments, which are done by experienced and qualified agents.

Full Frame 4.4.4 works on uncompressed sequences of images which are captured with DVS cards, thus making it possible to get the images back, by the HD 4.4.4 wave, directly, from the telecine exit.

Full Frame 4.4.4 can work with any of these : 8, 10, 12 bit, lin, log (32 bit floating point is currently being made), TGA, SGI, DPX, CINEON.

The algorithms can be applied for the whole image or for just a part it, on the three RGB canals or on one particular canal.

The film undergoes treatment from the first image to the last, restoring its original homogeneity.

The Team of Full Image has also developed tools to promote new ways of making procedures more automatic, to suit the clients needs when dealing with the restoration of TV series or TV archives.

Full Frame’s interface :